英语电影赏析选修.pptx

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1、IntroductionIntroductionEnglishMovies英 文 电 影 赏 析第1页/共45页Apprieciating cinema Purposes1.To gain a rough idea of what had happened in the long history of films and what is happening now.2.To know more about some of the represent-ative film-makers,actors and their masterpieces.3.Hopefully,try to use ev

2、erything learned in the course to get a better idea of the language and the culture.英 文 电 影 赏 析第2页/共45页1.IntroductionEnglishMoviesEnglishMovies-EnglishMotionPicturesEnglishMotionPicturesInordertomakeusfamiliartoBritishandAmericanInordertomakeusfamiliartoBritishandAmericanintonationandpronunciation,t

3、ounderstandtheinter-intonationandpronunciation,tounderstandtheinter-culturebetweenChinaandWesterncountries,toculturebetweenChinaandWesterncountries,tounderstandthebackgroundandcultureinthemovies,understandthebackgroundandcultureinthemovies,togetsensibilityofnativespeakingtoknowthewayoftogetsensibili

4、tyofnativespeakingtoknowthewayofmainmediaimpactonmodernsociallife,tobewareofmainmediaimpactonmodernsociallife,tobewareoftheschoolsofliteratureanditseffecttothemotiontheschoolsofliteratureanditseffecttothemotionpictureindustry,thereareenoughreasonstoseepictureindustry,thereareenoughreasonstoseeEnglis

5、hlanguagemovies.Englishlanguagemovies.第3页/共45页2.Languages and Cultures Reflected from MoviesLanguageLanguage isapartofcultureandplaysaveryisapartofcultureandplaysaveryimportantroleinit.Somesocialscientistsconsideritimportantroleinit.Somesocialscientistsconsideritthekeystoneofculture.Also,culturecons

6、istsofallthethekeystoneofculture.Also,cultureconsistsofallthesharedproductsofhumansociety.sharedproductsofhumansociety.CultureCulture referstotheentirewayoflifeofasociety.referstotheentirewayoflifeofasociety.AlloftheseonlycouldbefoundAlloftheseonlycouldbefoundinmovies.inmovies.第4页/共45页3.Different cu

7、lture with different valuesCultureCulture referstostateofintellectualreferstostateofintellectualdevelopmentofasocietyandthecustoms,developmentofasocietyandthecustoms,arts,socialinstitutions,etc.ofaparticulararts,socialinstitutions,etc.ofaparticulargrouporpeople.grouporpeople.Theessenceofcultureisthe

8、Theessenceofcultureisthe valuesvalues.Two.Twokindsofpeoplewithdifferentvalueswillnotkindsofpeoplewithdifferentvalueswillnotdoandthinkofsomethinginthesameway.doandthinkofsomethinginthesameway.英 文 电 影 赏 析第5页/共45页英 文 电 影 赏 析第6页/共45页4.A great combination of auditive and visual artsAuditiveandvisualartsA

9、uditiveandvisualarts arethetwomainandarethetwomainandpopularschoolsofarts.Motionpictures,thegreatpopularschoolsofarts.Motionpictures,thegreatcombinationofbothoftheabove,takesthefirstplacecombinationofbothoftheabove,takesthefirstplacegraduallyandattractsmassbetterthaneachofthegraduallyandattractsmass

10、betterthaneachoftheauditiveandvisualarts.auditiveandvisualarts.第7页/共45页5.A great combination of literature and drama5.A great combination of literature and dramaItisnotnecessarytosayhowItisnotnecessarytosayhow literatureliterature originsbutoriginsbutweallknowthatweallknowthat dramadrama isonepartof

11、it.isonepartofit.FictionnovelsFictionnovels aremorepopularthandramasforthenewgeneration.aremorepopularthandramasforthenewgeneration.ThemotionpictureactuallytakestheplaceoftheThemotionpictureactuallytakestheplaceofthedramaartwiththehelpofthedevelopedanddramaartwiththehelpofthedevelopedanddevelopingte

12、chnology.developingtechnology.第8页/共45页6.The History of Motion Pictures Early cinema1.1.18261826ThetechnologicalgroundworkformotionThetechnologicalgroundworkformotionpictureswaslaidbytheinventionofphotographypictureswaslaidbytheinventionofphotography 2.2.18891889Thekeybreakthroughcamewiththeintroduct

13、ionbyThekeybreakthroughcamewiththeintroductionbyKodakofcelluloid.Kodakofcelluloid.4.4.18951895OneofthefirstpublicexhibitionsofthenewOneofthefirstpublicexhibitionsofthenewtechnologyoccurredon28DecemberattheGrandtechnologyoccurredon28DecemberattheGrandCafinParis.CafinParis.“The Cinema of AttractionsTh

14、e Cinema of Attractions”3.3.1890s1890sThomasEdisonandLumierebrothersinFranceThomasEdisonandLumierebrothersinFranceinventedcinemaindependently.inventedcinemaindependently.第9页/共45页6.The History of Motion Pictures Classical Hollywood Cinema1.1.1908192619081926SilentMoviesSilentMoviesThe Birth of a Nati

15、onThe Birth of a Nation“A Cinema of Narrative”2.2.1926now1926nowSoundMoviesSoundMoviesDon juanDon juan第10页/共45页影片原名影片原名TheGreatDictatorTheGreatDictator影片译名影片译名大独裁者大独裁者年代：年代：19401940地区：地区：美国美国 片长：片长：124min124min导演：导演：查里查里 卓别林卓别林(CharlesChaplin)(CharlesChaplin)编剧：编剧：查里查里 卓别林卓别林(CharlesChaplin)(Charles

16、Chaplin)类型：类型：喜剧喜剧 主要演员：主要演员：汉克汉克 曼曼 切斯特切斯特 康克林康克林 埃玛埃玛 邓恩邓恩 保利特保利特 戈达德戈达德 雷金纳德雷金纳德 加德纳加德纳 查尔斯查尔斯 欧文欧文 比利比利 吉尔伯特吉尔伯特 查里查里 卓别林卓别林 理查德理查德亚历山大亚历山大 出品公司：出品公司：其他其他 色彩：色彩：黑白黑白 Classical Hollywood Cinema The Great Dictator第11页/共45页第12页/共45页The emergence of the“Studio System”1.Thedominationoffivemajorcompan

17、ies1.Thedominationoffivemajorcompanies(“(“BigFiveBigFive”):”):WarnerBrothers;Loews-MGM;WarnerBrothers;Loews-MGM;Fox;Radio-Keith-Orpheum(RKO);Fox;Radio-Keith-Orpheum(RKO);ParamountParamountBig Five:Warner Brothers Big Five:Warner Brothers 华纳兄弟电影公司华纳兄弟电影公司 MGM MGM 美国米高梅电影制片公司（美国米高梅电影制片公司（Metro-Goldwyn

18、-MayerMetro-Goldwyn-Mayer）Fox Fox(福斯电影公司和福斯电影公司和2020世纪影片公司合并而成世纪影片公司合并而成)Paramount Paramount 派拉蒙公司派拉蒙公司 RKO RKO 雷电华影业股份有限公司（Radio-Keith-Orpheum）第13页/共45页第14页/共45页The emergence of the“Studio System”2.Smallercompanies(the2.Smallercompanies(the“LittleThreeLittleThree”):”):Columbia;Universal;UnitedArtis

19、ts;Columbia;Universal;UnitedArtists;Little Three:Columbia;UniversalLittle Three:Columbia;Universal环球;United Artists;United Artists联美GretaGarbo葛丽泰嘉宝IngridBergman英格丽褒曼VivienLeigh费雯丽第15页/共45页The emergence of Movie Stars ClassicalHollywoodwastheerainwhichtheClassicalHollywoodwastheerainwhichthe“StarStar

20、”wasborn,andwasborn,and“starvehiclesstarvehicles”filmsbuiltspecificallyfilmsbuiltspecificallyaroundanumberofmajorstarsbecamethemostaroundanumberofmajorstarsbecamethemostreliablyprofitableoftheHollywoodproduction.reliablyprofitableoftheHollywoodproduction.AudreyHepburn奥黛丽赫本ElizabethTaylor伊丽莎白泰勒第16页/共

21、45页HumphreyBogart亨莱福鲍嘉MarlonBrando马龙白兰度第17页/共45页ClarkGable克拉克盖博AlainDelon阿兰德隆第18页/共45页LaurenceOlivier劳伦斯奥利弗GregoryPeck格里高利派克 第19页/共45页The history of film is simplified by its shortness.EarlyCinemaClassicalHollywoodCinemaPost-ClassicalHollywoodCinema Each of these periods is characterized by certain

22、technological developments and patterns of industrial organization.Artistically,too,films from a given period of film history tend to display certain characteristic features.英 文 电 影 赏 析第20页/共45页The Ideology of Classical Hollywood Cinema 1.Property,Enterpriseandinitiative;1.Property,Enterpriseandinit

23、iative;2.TheWorkEthic;2.TheWorkEthic;3.Marriage,FamilyandHome;3.Marriage,FamilyandHome;4.Progress,TechnologyandtheCity;4.Progress,TechnologyandtheCity;5.SuccessandWealth;5.SuccessandWealth;6.Americawasalandofhappiness;6.Americawasalandofhappiness;7.TheIdealMale;7.TheIdealMale;8.TheIdealFemale;8.TheI

24、dealFemale;第21页/共45页6.The History of Motion Pictures Classical Hollywood Cinema1.1.1908192619081926SilentMoviesSilentMoviesThe Birth of a NationThe Birth of a Nation“A Cinema of Narrative”2.2.1926now1926nowSoundMoviesSoundMoviesDon juanDon juan第22页/共45页6.The History of Motion Pictures Post-Classical

25、 Hollywood Cinema Intermsofthefilmsthemselves,Intermsofthefilmsthemselves,post-classicalpost-classicalHollywoodHollywood canbeseenasthe“NewHollywood”(orcanbeseenasthe“NewHollywood”(or“renaissance”)periodofthelate1960sand1970s.“renaissance”)periodofthelate1960sand1970s.Thefilmwouldbereleasedfirstonth

26、ebigscreenThefilmwouldbereleasedfirstonthebigscreenforawindowofabout6months,followedbyaforawindowofabout6months,followedbyareleaseonDVD/videoforawindowofanindefinitereleaseonDVD/videoforawindowofanindefinitelength;afterthiswouldcomeareleaseonpay-per-length;afterthiswouldcomeareleaseonpay-per-viewTV,

27、premiumcablefilmchannel,andthenviewTV,premiumcablefilmchannel,andthennetworkTV.networkTV.第23页/共45页7.Categorization of GenresHowinpracticeshouldonegoaboutdeterminingHowinpracticeshouldonegoaboutdeterminingthegenresofagivenfilm?Genericcategoriesarethegenresofagivenfilm?Genericcategoriesaregenerallydef

28、inedonthebasisofsubjectmatter,generallydefinedonthebasisofsubjectmatter,formalproperties,styleoraffectiveresponse.formalproperties,styleoraffectiveresponse.ThisreflectsthewaythatfilmmakersandThisreflectsthewaythatfilmmakersandaudiencesinpracticeusetheconceptofgenreasaaudiencesinpracticeusetheconcept

29、ofgenreasaloose,flexible,andoverlappingsystem.loose,flexible,andoverlappingsystem.第24页/共45页History 第25页/共45页I.Early CinemaD.W.Griffith:Father of Film United States film maker who was the first to use flashbacks and fade-outsThe Birth of a Nation 一个国家的诞生（1915）Intolerance 党同伐异（1916）一个国家的诞生和党同伐异是美国电影早期

30、的两个无法逾越的高峰，各个方面都远远超过了同期的其他电影。它们预示着格里菲斯达到了个人生涯的顶峰，也展示了电影技术上的最佳手法，为电影开始争取作为艺术的地位，并断然指出：电影是美国社会最强大的社会力量之一。第26页/共45页II.Classical Hollywood Cinema 1.Technology Development of sound Development of Technicolor(彩色电影)2.Industry “Big Five”and“Little Three”Vertical integration of production,distribution and ex

31、hibition Narrative3.Aesthetics Continuity editing(连戏剪接)Star system Genres第27页/共45页The history of film is simplified by its shortness.EarlyCinemaClassicalHollywoodCinemaPost-ClassicalHollywoodCinema Each of these periods is characterized by certain technological developments and patterns of industria

32、l organization.Artistically,too,films from a given period of film history tend to display certain characteristic features.英 文 电 影 赏 析第28页/共45页III.Post-Classical Hollywood Cinema 1.Technology Development of other exhibition channels and multimedia platforms2.Industry Competition with TV Distribution

33、windows on different media platforms3.Aesthetics Flexible use of genre Rules of causality(因果关系）and temporal logic observed less strictly Foregrounding of stylistic devices第29页/共45页The history of film is simplified by its shortness.EarlyCinemaClassicalHollywoodCinemaPost-ClassicalHollywoodCinema Each

34、 of these periods is characterized by certain technological developments and patterns of industrial organization.Artistically,too,films from a given period of film history tend to display certain characteristic features.英 文 电 影 赏 析第30页/共45页Post-Classical Hollywood CinemaTwo major sub-periods:1.“New

35、Hollywood”(or“renaissance”)period弗朗西斯科波拉 Francis Ford Coppola马丁斯科西斯 Martin Scorsese斯坦利库布里克Stanley Kubrick 阿瑟佩恩 Arthur Penn乔治卢卡斯 George Lucas史蒂文斯皮尔伯格 Steven Spielberg伍迪艾伦 Woody Allen 奥利弗斯通 William Oliver Stone第31页/共45页弗朗西斯科波拉 Francis Ford Coppola（1939）弗朗西斯科波拉“美国新浪潮”的旗手。痴呆症教父 获4545届奥斯卡最佳影片、最佳男主角、最佳改编剧

36、本奖。教父续集获4747届奥斯卡最佳影片、最佳导演等6 6项大奖。教父第三集对话2727届戛纳电影节金棕榈奖。现代启示录3232届戛纳电影节金棕榈奖。第32页/共45页马丁斯科西斯 Martin Scorsese（1942）谁在敲我的门穷街陋巷艾丽丝不再住此纽约，纽约愤怒的公牛纯真年代金钱本色纽约黑帮等。代表作出租汽车司机获19761976年戛纳电影节金棕榈奖第33页/共45页斯坦利库布里克 Stanley Kubrick（1928192819991999）光荣之路斯巴达克斯奇爱博士发条桔子20012001：太空遨游巴利林顿全金属铝外壳洛丽塔闪灵紧闭双眼（大开眼界）第34页/共45页阿瑟佩恩

37、ArthurPenn 邦妮和克莱德（雌雄大盗）不仅标志着阿瑟佩恩个人创作的高峰，而且是新好莱坞崛起的标志。本片的特殊之处：（1 1）首次出现反英雄的英雄形象。（2 2）融入了法国新浪潮的艺术观点 和技巧：时空的自由跳接。（3 3）突破了好莱坞严格的类型模式，体现了类型融合 的倾向：强盗片、喜剧片、爱情片等。第35页/共45页乔治卢卡斯 George Lucas（1945）19771977：星球大战新希望星球大战新希望 全球票房：全球票房：7.7547.754亿美元亿美元19801980：星球大战星球大战帝国反击战帝国反击战 全球票房：全球票房：5.45.4亿美元亿美元19831983：星球大战

38、星球大战绝地归来绝地归来 全球票房：全球票房：4.754.75亿美元亿美元19991999：星球大战前传星球大战前传魅影危机魅影危机 全球票房：全球票房：9.439.43亿美元亿美元20022002：星球大战前传星球大战前传克隆人的进攻克隆人的进攻 全球票房：全球票房：6.56.5亿美元亿美元20052005：星球大战前传星球大战前传西斯的复仇西斯的复仇全球票房：全球票房：8.58.5亿美元亿美元 第36页/共45页斯皮尔伯格Steven Spielberg（1949）大白鲨夺宝奇兵（1、2、3）第三类接触外星人紫色太阳帝国胡克船长侏罗纪公园辛德勒的名单失落的世界拯救大兵瑞恩慕尼黑第37页/共

39、45页奥利弗斯通WilliamOliverStone“越战反思三部曲”：野战排（获59届奥斯卡最佳影片、最佳导演等4项大奖）生于七月四日（获62届奥斯卡最佳导演奖）天与地两部总统片：刺杀肯尼迪尼克松天生杀人狂第38页/共45页Post-Classical Hollywood Cinema2.“independent filmmaking”在好莱坞制片厂体制之外制作的电影，它制作的目的在于表达演个人的思想观念而非追求票房上的成功。索德伯格性谎言录像带获第42届戛纳电影节金棕榈奖，标志着独立电影时代的来临。卡夫卡盲点毒品网络永不妥协大卫林奇穆赫兰道蓝丝绒象人 心中狂野（1990）获43届戛纳电影节

40、金棕榈奖。昆汀塔伦蒂诺落水狗（1992年）低俗小说（1994年）杀死比尔无耻混蛋被解救的姜戈第39页/共45页Genres Genres are the categories into which,on the basis of shared characteristics,we place artistic,musical,literary or cinematic works;subgenres are similar but more limited and more precisely defined.Its rare to find a film that belongs exclusively to one genre.第40页/共45页第41页/共45页第42页/共45页第43页/共45页第44页/共45页感谢您的观看！第45页/共45页